LUCIE, LARRY AND I ARE GOING!
Queen of Hollywood Costume Design Edith Head Comes Alive in Play
Susan Claassen serves up designer's celebrity dish, quips, and quotes
By Allin Milo--Palm Springs Life
Besides bearing a resemblance to
Edith Head, Susan Claassen was attracted to how the designer made a name
for herself against an all-boys club in Hollywood.
Photos courtesy of Susan Claassen
Palm Springs will be alive with the spirit of Edith Head when actress
Susan Claassen brings the doyenne of costume design to life in her
one-woman, award winning show, “A Conversation with Edith Head.”
Written by Susan and Paddy Calistro and based on Paddy Calistro’s book,
Edith Head’s Hollywood, the stage version runs Oct. 21-24 at The Palm Springs Women's Club.
Head visited the desert mainly for business purposes promoting films
she worked on with such Palm Springs perennials as Bob Hope and Lucille
Ball. She retreated more to her hacienda style house in Coldwater Canyon
choosing to spend time with her husband, animals, and a small coterie
of friends. In later years they were Elizabeth Taylor, Tippi Hedren and
long-time friend Bette Davis. Not reclusive but just dedicated to her
work, it was normal for Head to put in 16-hour days. She worked up until
her death in 1981 at age 83.
PalmSpringsLife.com spoke to Claassen about the role and the play's longevity.
Edith Head looks over a sea of costume sketches she drew.
Why Edith Head?
“I first got the idea while watching a television biography of Edith
Head. I literally did a double take. My physical resemblance to her was
uncanny. The more I watched, the more I knew there was a story to be
told. I was fascinated by the complexity of this strong, executive woman
in the all-boys club of Hollywood. Her career spanned over 60 years and
1,131 films! It was a powerful story of a woman who helped to define
glamor in the glamorous golden age of Hollywood.”
What is the key to keeping the show fresh after 13 years?
“I’m constantly researching and learning and the show adapts to the host
city. Another element is the audience. Each performance is different as
the audience gets to submit questions.”
How was Edith Head a maverick and ahead of her time?
“Before Project Runway, there was Edith. She understood branding and was
doing the first makeovers on Art Linkletter’s House Party.”
Claassen as Head serves up celebrity dish, bon mots, quips and quotes
with signature bangs, chignon, and glasses. She’s also clad in Edith’s
sartorial uniform of dark suit and classic pumps. MGM claimed more stars
than in the heavens, but Head dressed more from de Havilland to
Stanwyck and Audrey Hepburn in such classics as
The Lady Eve and
Breakfast at Tiffany’s.
Surprisingly, she preferred costuming men over women and did for some
of the most handsome men in Tinseltown from Sean Connery to her final
Oscar winning designs for
The Sting starring Paul Newman and
Robert Redford. She was nominated 35 times for an Academy Award and came
home with eight golden trophies.
“A Conversation with Edith Head,” Oct. 21-24, Palm Springs Women's Club, 314 S. Cahuilla Road, 760-325-1950; www.edithhead.biz
Edith Head was known for her costumes for leading ladies, but actually preferred to design for men.
